[ Colloque] The Future Story of Chinese Calligraphy

SOAS, London, Date: 13th July 2022 from 13:00-16:30 BST, Venue: Virtual via Zoom

Bringing together emerging scholars and artists from East Asia, Europe, and North America, this free online workshop seeks path-breaking approaches to the studies of Chinese calligraphy especially in transmedia contexts. 

For further information and to register please follow this link:

https://www.eventbrite.co.uk/e/the-future-story-of-chinese-calligraphy-an-online-workshop-tickets-327399138637

Workshop Itinerary:

1 PM to 2:30 PM, Panel 1: Calligraphy × Painting 書畫
Michael Cavayero, Tang Dynasty Finger Painting and Buddhist Connections: Records of Zhang Zao
Shuo Hua and Sarah Ng, Semiotic Scripts and Calligraphic Expression: Capturing the Spirit of Antiquity in Modern Chinese Paintings 
Yuetong Wang, My Story about Calligraphy Practice and the Current Situation of Chinese Contemporary Calligraphy

 

3:00 PM to 4:30 PM, Panel 2: Brush × Movie 書幕
Xiaoyu Xia, Animating Calligraphy: Script Crisis and Interwar Chinese Cinema
Julia Keblinska, Calligraphy and the Television Screen in Honglou Meng
Linqing Zhu, Authentic Enstrangement: Artificiality and the Use of Chinese Characters in Jia Zhangke’s Films

The workshop is convened by Dr. Panpan Yang with the assistance of Jennifer Fleming. It is generously supported by SOAS Seedcorn Fund, East Asian Research Seminar (EARS), Department of History of Art and Archaeology, and Centre for Creative Industries, Media and Screen Studies.

For further information and to register please follow this link:

https://www.eventbrite.co.uk/e/the-future-story-of-chinese-calligraphy-an-online-workshop-tickets-327399138637



Citer ce billet
Marie Laureillard (2022, 30 juin). [ Colloque] The Future Story of Chinese Calligraphy. CEEI. Consulté le 20 avril 2024, à l’adresse https://doi.org/10.58079/mi29

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